I don't know if you saw it, but there was a news story recently about a 94 year man who still enjoys wing walking! Well, my father, Leonard Berney, happens to also be 94 years old, and he still enjoys a very active life, as you can see:
He says of the wing-walking nonagenarian, "Like me, he's just another silly old fart! Although, I’m not yet silly enough to walk out onto the wing of a plane!"
Thursday, 28 August 2014
Friday, 8 August 2014
A once-in-a-lifetime experience x 4
How quickly the eight months passed from the day the Monty Python Live shows were announced last November to the first show on 1st July! With a little help from my friends, I ended up seeing it four times, and that included the first night and the grand farewell finale on 20th July.
Back in November on the day the tickets went on sale, I did 6 live radio interviews including The Jeremy Vine Show on Radio 2. And on 1st July, in addition to being on two more live radio shows, I was interviewed by the Belgian equivalent of the 9 o'clock TV News: VRT Nieuws.
|Me, mid interview, on Belgian telly! Click the image to watch the interview. Click here to see behind-the-scenes photos of the film crew in my home: https://it.thislife.com/KHXVD2t4|
So the day of the first show had finally arrived. In the courtyard at the entrance of the O2 Arena, there was a whole lot of silliness going on.
|Click the image to see more Python Live Silliness photos, including some of Python devotee Emma Thompson and her family!|
Just before the show, by chance, I bumped into my old chum André Jacquemin of Redwood Studios (who features heavily in previous posts in this blog), and Sonia Jones who sang the theme tune to Life of Brian. They were just having a breather before curtain up. André, Python's sound engineer since day one, was doing the sound for the show and Sonia was part of the choir and she also played Mrs Betty Teale on VT. It was wonderful to meet her!
|Sonia Jones, John Wood and André Jacquemin|
And so, I was lucky enough to see the show four times, and all wonderful it was too, although I definitely prefer Lark's vomit to Mouse poo (I'm a purist) and I'm so used to seeing 20-something year old faces doing those sketches. But it's 2014... what did I expect? I was very pleased that so much of the older material was included, as the closest I had previously got to seeing a live Python show was the Secret Policeman's Biggest Ball in 1989. I really loved the new stuff too; essentially the huge dance numbers and notably, the Vagina Song and the Bottom Song.
|Click the image above for a selection of photos I took of the four performances|
Along the way, I was also lucky enough to get some shots of me with a host of Python-related celebs:
|With Terry Jones' wife Anna Soderstrom|
|With John Du Prez, the show's conductor, who composed the score for Monty Python's The Meaning of Life and is the co-author (with Eric Idle) of the music for Monty Python's Spamalot.|
With Graham McDuff who has played both Sir Lancelot and Sir Galahad in Spamalot. We first met at the stage door of the Palace Theatre in 2007 and have met at many a Spamalot stage door since.
|With Alan Yentob who recently presented the insightful BBC documentary Monty Python: And Now For Something Rather Similar|
Over the four nights, I also met up with many Python fans, some for the first time in "real life", two of whom flew all the way from LA just to see the show! That's Professor Molly Lavik who is currently writing a very interesting book (much more on that later), and the up-and-coming actress BreAnna "Bo" Chérie Wittman who is one of the Monty Pythong players. It was so good to meet them both! There was also Sally Western, Chris Butcher, Gemma Harris, Jonathan Gash, Lee Blazer, James Gent (who's also writing a very interesting book) and Hanna Anevik. What a happy bunch we made!
|André Jacquemin and his daughter Jamie Lisa (one of the singers) kindly joined us after the show. Click the image above to see more photos.|
|Gemma Harris, Jonathan Gash and Lee Blazer. Click the image above to see more photos of my Monty Python fan friends|
To conclude, Eric Idle did an incredible job putting the show together - it was a massive hit! And what a treat it was for me! The very thing I've been passionate about for 40 years is suddenly on stage at full blast right in front of me, and it's the talk of the town, not just in London but all over the world due to the live global broadcast of the last show. Pure indulgence.
Sunday, 22 June 2014
On Feb 1st of this year, my brother Nick, aged 59, sadly passed away. His funeral was held in Munich where he had been living since 1980. Consequently, his friends from the 1960s and 70s were not able to be there to say their goodbyes, so we held a Memorial for him (which doubled up as a 30-40 year friends' reunion) on June 17th.
It was wonderful to see everyone again and hear the fond memories they have of Nick.
The occasion took place in the Kenwood Suite (by coincidence and not by design!) at Old Thorns, our former family home, now a thriving golf hotel and country estate in Liphook, Hampshire. It's the perfect wedding venue and is so huge now, that it can hold two weddings at the same time! Funnily enough, Old Thorns was where Nick Berney and his bride Angie held their wedding reception back in 1979!
It was wonderful to see everyone again and hear the fond memories they have of Nick.
|That's my mother Pat, my brother Steve and me in the centre (directly behind Tony who's kneeling)|
|28 July 1979 - the first ever wedding reception at Old Thorns?|
Wednesday, 18 June 2014
|Alter Bridge after their amazing performance at Download (photo credit: PG Brunelli)|
|The O2 in London|
|My Golden Gods 2014 wristband|
Friday, 6 June 2014
Yesterday, I was invited to a preview (the first-ever public screening) of the feature-length documentary "Night Will Fall" at the BFI Southbank. The audience comprised those involved with the making of the film. My father, Leonard Berney, appears on screen many times, giving his account of the liberation of Bergen-Belsen.
The film is really quite harrowing and it doesn't pull any punches at all. It gets across in graphic detail what it was like to witness the horrors at the aftermath of the Nazi concentration camps, close up. Just watching it on film was difficult enough, so to have actually been there; to have seen it and smelled it first hand is an experience that is difficult to imagine.
When the credits had finished rolling and the lights had faded up, the audience were in stunned silence.
Night Will Fall (2014)
Feature Length Documentary
In the spring of 1945, Allied forces liberating Europe found evidence of atrocities which have tortured the world’s conscience ever since. As the troops entered the German concentration camps, they made a systematic film record of what they saw. Work began on a documentary to show the horror they witnessed to the German population.
Sidney Bernstein, chief of the Psychological Warfare Film Section of SHAEF commissioned the film. Those involved in the production included Alfred Hitchcock and renowned editor Stewart McAllister; they produced perhaps the most remarkable testament of the 20th Century. “No German can say he didn’t know” insists the commentary, co-written by Richard Crossman, the future cabinet minister.
These sentiments were judged by the British Government to be unsuitable to the bridge-building mood towards Germany. The film was never shown.
40 years later an American researcher found a rusty can marked “F3080” in the vaults of London’s Imperial War Museum. It was in very poor condition and the last roll was missing, but in 1985 a scratched and blurry copy was shown on PBS in America. Now after three years of work by Dr Toby Haggith of the IWM, the entire film has been fully restored and piece by piece, frame by frame, the lost last reel has been put together from the original shot lists. For the first time in history the completed “F3080” is ready to be shown.
Spring Films is co-producing with Angel TV a 90 minute documentary for theatrical and television release. This documentary, ‘Night Will Fall’ is to coincide with the release of the remastered original film and will tell the remarkable story behind the making of the film, the people involved and the reasons why it was never shown.
Director: André Singer
Directorial Advisor: Stephen Frears
Executive Producer: Richard Melman
Producer: Sally Angel